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Darkest Hour
The Human Romance
CD, Ltd. CD Digipak & Digital Download

John Henry
Mike Schleibaum
( Guitars)
Mike "Lonestar" Carrigan Theobald
Paul Burnette
Ryan Parrish

Some metal bands barely last 10 years, much less 15 years. If a band does get to the decade-and-a-half mark, they're usually sputtering out or are teetering on their last, diseased and ready-to-give out legs. Rare is the case where an aggressive band mutates, growing stronger, more unstoppable and more menacing with every passing riff, scream and album. Darkest Hour are such a case. “The Human Romance” is the Washington, DC-based band's seventh album and presents DARKEST HOUR at their best: fangs bared and ready to pounce through the vehicle that blends thrashy melodic metal with something unworldly.

But it wasn't an easy road to hoe and this type of career (and personal) clarity did not come easy for Darkest Hour. In fact, the members could have easily thrown their hands in the air and called it a day and no one in the metal community, least of all their throng of diehard fans, would have blamed them for packing it in. There would have been no shame in choosing that option, as DARKEST HOUR have wrapped around the country dozens upon dozens of times, including a stint on Ozzfest. But Darkest Hour didn't give up or give in.

The cover artwork of “The Human Romance” partially illustrates Darkest Hour's commitment to making this music at all costs, even when shit gets hard, or as Schleibaum puts it, "miserable." The art features two embracing skeletons that were fossilized together. “To me, it is a metaphor for life and the addiction of doing music no matter how hard it is. We love it and can never let it go." Schleibaum said.

That type of unquenchable passion and iron-willed dedication went into the making of “The Human Romance”. This is DARKEST HOUR, Version 2.0, which is certainly an upgrade on many levels. "We were able to step back and take something established and re-polish it in a way where we could present it as something new," Schleibaum explained. "It still got the classic vibe, but the music is a little bit more easily digestible, I mean, it's not like John [Henry] is singing all the time. The music is a bit more ethereal yet still aggressive as hell.

In their past, DARKEST HOUR have retreated to such far away locales as Sweden and Vancouver to record. For The Human Romance, the quintet set off to North Carolina to work with Soilwork's Peter Wichers recording at the Echo Mountain complex in Asheville and Old Towne Recording Studio’s in Winson-Salem. The result is thrashy, American metal with roots in punk rock and hardcore, which is part and parcel of the DARKEST HOUR sound. Only now, it's fresher and rejuvenated and the band isn't tethered to the tyranny of one specific sound or style; DARKEST HOUR make metal, by their own rules and standards. "Thrash metal has distinct things that make it thrash," Schleibaum said. "But we bring in some deeper emotional stuff into the thrash sound, and we take both Swedish metal and American metal influence. Sometimes it even sounds like explosions in the sky. There is some melancholy, but it's bigger."

“The Human Romance” writing sessions played out like most previous DARKEST HOUR records, in democratic fashion, starting with guitar riffs that lead to other riffs and evolve once all the band members connect in a room. The album doesn’t end with a long, involved song, which has become a DARKEST HOUR tradition. Yet, while the song, "Beyond the Life You Know," is not as long previous closers, but it's just as expansive and worth sticking around for. "Our last song is always, in my opinion, one of the best ones," Schleibaum said. “This record, honestly I love them all.”

There is also a 10-minute instrumental song, "Terra Solaris," which is an endeavor the band has not undertaken since "Veritas, Aequitas," which appears on 2003's Hidden Hands of a Sadist Nation. Overall, though, the album has varied tempos, which Schleibaum says makes “The Human Romance” "more emotional in general." “The Human Romance”, is anything but self-serving; DARKEST HOUR have pushed their sound to new limits for the fans who have stuck by them for nearly two decades. Our last record was for us, whereas this record is for everyone else and that in turn makes it even more special to us."

DARKEST HOUR rose from the ashes of the '90s convergence of metal and hardcore and while most of the bands are dinosaurs or are dead and gone, DARKEST HOUR haven't yet touched the core of their potential, despite their impressive resume. They've done a lot but still have more to do to fulfill their addiction to the music and their commitment to their fans and themselves. Sounds like a beautiful, complicated romance.